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This painting depicts one of the "wise virgins" from the Savior's parable of the ten virgins (Matthew 25, Luke 12). With faith and determination, this young woman holds in her glowing hands the brilliant lamp of faith, hope, and charity. Its light—the light of Christ—is the only illumination in the darkness that surrounds her.
Symbolism in Go Forth To Meet The Bridegroom
The lamplight casts a warm glow on the gilded pilaster and wooden paneling of an entry, symbolic of the threshold those who are spiritually prepared for the wedding feast (the Savior's Second Coming) will be invited to pass. Just as the flickering flame glints in her gaze, so the "light, and the life, and the truth of the world" (Ether 4:12) provides "the light which shineth in darkness" (D&C 6:21) to all who seek Him.
Given during the last week of His mortal ministry, the parable this virgin represents is intended specifically for the time in which we now live—the last days "before the Son of Man comes" when "the kingdom of heaven [shall] be likened unto ten virgins" (see Matthew 25:1 in the Joseph Smith Translation of the Bible). It teaches all mankind to "be faithful, praying always, having your lamps trimmed and burning, and oil with you, that you may be ready at the coming of the Bridegroom" (D&C 33:17).
Within the parable, the Savior teaches the difference between spiritual wisdom and foolishness: "They that were foolish took their lamps, and took no oil with them: But the wise took oil in their vessels with their lamps" (Matthew 25:3-4). It is taking thought for the oil within the lamps that distinguishes those who use their knowledge wisely. Within the context of the parable, oil is the key to spiritual preparation for the Savior's Second Coming. What, then, might that oil represent? The following thoughts are a list of possibilities:
Oil is mentioned throughout the Old Testament, and has always been part of the ordinances performed within the Temple. The very meaning of the Greek word "Christ" is "the Anointed" (see also Isaiah 61:1-3, Acts 4:27 and 10:38). Thus, the oil suggests that the virgin is a covenant-keeping individual. As such, sacrifice and devotion to keeping the commandments must be a necessary attribute of those seeking to keep oil in their own spiritual lamp.
Oil is also a vital element in the miraculous account of the widow of Zarephath. Her story illustrates that personal application of prophetic guidance keeps oil replenished. Just as the widow and her son survived a severe physical famine because of their faith in a prophet's invitation, so those who hearken to the counsel of living prophets will have the spiritual sustenance they need—a spiritual "cruse of oil" that will not "fail, according to the word of the Lord" (see 1 Kings 17:16).
Perhaps, no less significant to an interpretation of the parable is the context in which the Savior provided it. The story of the virgins is immediately followed by the parable of the talents, and then the story of the sheep and the goats. Within these parables the Savior teaches the need for the development and consecration of talents for the purpose of building the Lord's kingdom, and of utilizing our gifts and means for the blessing of others, no matter how small and simple such acts may seem at the time. In this context, "oil" might symbolize day-to-day offerings of selfless service and devoted discipleship. Indeed, as illustrated by the parable of the virgin, such noble deeds cannot be accrued in the brief moments prior to the Bridegroom's appearance, any more than the foolish five were able to obtain oil for their empty lamps.
The prophet Samuel the Lamanite taught that "if your days of probation are past; ye have procrastinated the day of your salvation until it is everlastingly too late" (Helaman 13:38). The great missionary Amulek likewise encouraged: "Now is the time and the day of your salvation...For behold this life is the time for men to prepare to meet God; yea, behold the day of this life is the day for men to perform their labors." He also warned: "Do not procrastinate the day of your repentance until the end" (Alma 34:31-32). Only in the little thoughts and words and actions of daily devotion is it possible to accrue the oil needed in one's own lamp.
President Henry B. Eyring declares: "However much faith to obey God we now have, we will need to strengthen it continually and keep it refreshed constantly. We can do that by deciding now to be more quick to obey and more determined to endure. Learning to start early and to be steady are the keys to spiritual preparation. Procrastination and inconsistency are its mortal enemies" (Eyring, Henry B. Spiritual Preparedness: Start Early and Be Steady, October 2005 General Conference Address).
The herodian-style lamp cradled in the virgin's hands is a style of lamp known in Savior's day, and reminds the viewer of Biblical symbols: "For thou art my lamp, O Lord, and the Lord will lighten my darkness" (2 Samuel 22:29); "For the commandment is a lamp; and the law is light" (see Proverbs 6:23); and "The light of the righteous rejoiceth: but the lamp of the wicked shall be put out" (Proverbs 13:9). Therefore, the lamp depicted here symbolizes the safety of commandments and covenants. Just as a lamp also enables the oil it contains to produce light, so also do the covenants, laws, and ordinances available through the Gospel of Jesus Christ provide the means by which our daily drops of oil give enduring meaning, validity, and efficacy to our time here on earth. Without the lamp, the oil cannot burn: Without the power of salvation inherent in the ordinances of the Priesthood of God, we cannot re-enter the Father's presence (see D&C 132:4-6 and 131:1-4).
The darkness surrounding the figure reminds us that darkness, or opposition, is part of mortality (see 2 Nephi 2:10-11). Without the Light of Christ, the ordinances of salvation, and the endurance of faith on His name to end, we see nothing clearly in this world. We do not even see ourselves, nor can we discern whence we came or where we are going. It is this "kindly light" that guides us, often but "one step" at a time toward that heavenly home whence we came (see Hymns, 97). Indeed, as Elder Jeffrey R. Holland reminds us, "the light of the kingdom of God will never go out" ("Charity Never Faileth: A Discussion on Relief Society," Ensign Mar. 2011, 40).
In the words of Elder M. Russell Ballard: "Truly the Lord encourages us to walk in faith to the edge of the light and beyond—into the unknown. After the trial of our faith, He once again shines the light ahead of us, and our journey of faith in every footstep continues" (Ballard, M. Russell. Faith In Every Footstep, October 1996 General Conference Address).
Finally, just as the parable was symbolic, so the setting in which the figure appears is not necessarily intended to portray the architectural styles at the time of the Savior's presentation of the parable. After all, "of that day, and hour" of the Messiah's Second Coming "no one knoweth; no, not the angels of God in heaven, but [the] Father only" (see Matthew 1:40, JST).
By Al R. Young only high-end custom frames We have framed our own artworks for more than 30 years, and during that time we have provided a variety of framing services to patrons upon request. For many reasons—including constant changes in the availability of moulding styles—we cannot offer off-the-shelf framing options or response times typically associated with such a service. Of necessity, all of our framing projects are aproached, priced, and billed as constuling projects... Read more »
the story in this painting the creation of this paintingOriginal artworks produced by the Artists of Al Young Studios are part of themed collections because the Studios is organized after the pattern of the Renaissance workshops of the old masters. The Artists take the long view of their work as being a lifetime journey toward mastery of artistic expression through selected techniques, reaching as far back as the 16th century. Artists work as peers in an intensely creative community in which each artist pursues his or her own work as part of the group's philosophy... Read more »
By Al R. Young Women of the New Testament by Camille Fronk Olson is the companion volume to Women of the Old Testament, published by Deseret Book in 2009.
The New Testament volume features fifty six illustrations from the Artists of Al Young Studios, listed here under the Studios' fine art collections and portfolios to which they belong.
From the Women of the Bible Fine Art CollectionFull-color details (cropped images) from the following 29 paintings appeared in the book (in the order in which they appear here)... Read more »
By Al R. Young The New Testament Made Easier, published by Cedar Fort, featured five original oil paintings by Elspeth Young and one of Ashton Young's original oil paintings, all from Al Young Studios' Women of the Bible Fine Art Collection.Go Forth To Meet The BridegroomAnd Martha ServedAnd He Shall Direct Thy PathsShe Worketh Willingly With Her HandsEstablished In The FaithA Damsel Came To Hearken... Read more »
By Al R. Young This blank-book journal sells for $32 (plus shipping) direct from Al Young Studios. Printed in full color on heavy paper, the book is bound with black plastic spiral to rest flat when open.
At Home: A Personal Journal features 128 original artworks consisting of 51 original oil paintings from the Artists of Al Young Studios, 44 images from the Studios' Limited Editions Collection, nine pen and ink drawings and block prints by Ashton, seven of Al's exquisitely crafted pencil drawings, and one lithograph from his private portfolios... Read more »
By Al R. Young This blank-book journal sells for $32 (plus shipping) direct from Al Young Studios. Printed in full color on heavy paper, the book is bound with black plastic spiral to rest flat when open.
Inspirations features 163 artworks along with 53 commentaries—written by the Artists of Al Young Studios especially for this journal—on such topics as their creative process, the creative environment of the Studios, technical approaches to their artwork, and inspiration from the works of other artists... Read more »
By Al R. Young A complete set of open-edition prints is now available at www.alyoung.com for Go Forth To Meet The Bridegroom by Elspeth Young. The new set of prints offers 20 additional print sizes and styles, ranging in price from $5.00 (5x7 poster print) to $191 (24x48.25 poster print).
Click here to see a larger copy of the painting, read the artist's commentary, and look at the selection of available prints.
The set of open-edition prints of this painting brings to 1,872 the number of prints and giclee canvases available at www... Read more »
By Al R. Young High-resolution digital copies are available from the Studios for use as illustrations. Use the serial number—appearing below the thumbnail—in requesting permission from the Studios (see links at the bottom of this page for detail).
The correct form of attribution when publishing an image is specified in the license agreement issued to the publisher by Al Young Studios.Guidelines for requests to copy or publish artworks created by the Artists of Al Young Studios
Guidelines for commissioning Al Young Studios to create illustrations Return to this portfolio Browse all portfolios Browse Newsroom articles about Illustration The original image is available for sale, please contact us for details... Read more »
By Al R. Young Go Forth To Meet The Bridegroom is the newest oil painting to be added to the line of original artworks from Al Young Studios.
Click here to see a larger image of the new painting, read the artist's commentary, and look at the selection of prints--if any are available.... Read more »